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Whereas other English porcelain factories of that era did not have access to the same cobalt and their blues are often less dramatic, Lark notes.
Japanese porcelain makers in the 19th century used cobalt that turned the blues in its porcelain much darker.
From that, I'm able to come up with whether an item is what it's supposed to be and how much it's worth." Here's how you can learn to do the same.
Shape It Up Lark says that one of the easiest ways to begin evaluating blue-and-white porcelain is to evaluate an object's shape, which pins a piece to a particular place.
"It is possible by knowing the specific tones of blue to associate an object with both a culture, manufacturing center, and period of time with great accuracy," Lark says.
In porcelain, the clay fuses and produces a smooth surface even where it's chipped.
"If a chip shows a grainy surface that is not fused together then it probably is not porcelain and did not come from Asia," Lark says.
But can you teach yourself how to navigate such a vast field of porcelain with confidence that you aren't making too many mistakes—or worse yet, getting duped?
We asked that question of Lark Mason, an expert in Asian art at igavel.com, and his answer was an unequivocal "Yes." "I do this all the time," Lark says.(Houston, 2006) School of Mines Pottery The Tafoyas: Legends of Pueblo Pottery (St.